David Walliams..... in the news for all the wrong reasons, mentiomed before it came out in the second edition of Cain's Children.

Often these ‘stars’ are not what they seem to be and no clearer portrayal of the sordid hidden world of the celebrity is the example of Jimmy Savile. This man was apparently the first to introduce disco culture instead of watching live bands and had a hand in steering the culture of 20th century Britain in ways we probably don’t suspect even now. While he lived, he was the very pillar of the establishment and seemed able to transcend the worlds of media, government and charity, having some uncanny unspoken power within those ostensibly diverse domains. Savile ran amok, seemingly with the full support of the major centres of British power: the media, the Prime Minister Margaret Thatcher, the then Prince Charles, and the intelligence services. In the Louis Theroux television programme ‘When Louis Met… Jimmy’ Savile says much that is highly suggestive, not least when he refers to Prince Philip as ‘The Boss’ and speaks of him with a kind of awe. One wonders what role in the whole evil and sordid story of Savile’s child abuse was held by that man Savile so revered. 

This is one example of why this cult of celebrity is so destructive because it allowed Jimmy Savile unfettered access to UK children’s homes where he perpetrated many of his evil crimes. This acquiescence to the power of celebrity allowed Savile to transcend the normal laws of the land and float with godlike omnipotence, through the UK’s institutions like a noxious mediatised vapour. One has to wonder, who are the future Jimmy Saviles presently active in the country? Rumours and first-hand accounts abound about celebrities like David Walliams, about whom there are apparently hundreds of allegations, and according to several claims on Twitter he used his role as a judge on Britain’s Got Talent to abuse children. His Wikipedia page has a lot to say on the subject of past controversies relating to Walliams, in particular in 2007 during the Little Britain tour of Australia where, in the guise of playing a sex-offender character named Des Kaye, he invited teenagers aged between 16 and 18 up on stage to play ‘Hide the Sausage’ where he publicly kissed, fondled and attempted to pull down the trousers and underwear of participants, also simulating anal sex with them. In one instance he joked onstage: “You’re a big boy for 16 aren’t you – that’s what I’ll tell the judge.” His comedy partner, Matt Lucas has also been publicly accused of sexual assault by a children’s book author. Aljoscha Quooss who claims he was drugged and sexually assaulted by Matt Lucas, who also writes children’s books, after Quooss met the comedian at his home, with the aim of getting help with his illustrating career. Quooss attempted to report this to the police but they rejected his claim, Matt Lucas then had Quooss arrested for blackmail, harassment and malicious communications.

 

The story was reported by the Daily Mirror and the Daily Mail and elsewhere in the summer of 2025 and naturally, in instances like these where an alleged sexual predator is a part of the media establishment and a beloved household name, the press painted Lucas as the victim, and portrayed the allegations as part of a blackmail plot, however those articles have subsequently disappeared from the internet, presumably to further protect Lucas. This is typical and follows a clear established pattern that the full weight of the legal establishment comes down on victims and whistle blowers, while all means in the media and law enforcement are brought to bear to protect the reputation of the predator and this pattern has been seen time and time again, in particular with Jimmy Savile. Another one is Stephen Fry who seems to be constantly saying the most unpleasantly ambiguous things about paedophilia. It certainly seems that paedophilia is one of the sacraments of the Cain Brotherhood and it is the glue which holds this group together, being on the one hand, leverage for blackmail and control of members and on the other, being part of the matrix of trauma-based mind-control, and it is likely that those who perpetrate this abuse, were in turn abused themselves, likely by members of the same group, such as Freemasonry. While at Cambridge University, Fry wrote ‘Latin! Or Tobacco and Boys’, a play about the pederastic relationship between a teacher at a private preparatory school and a 13-year-old boy. The play was performed at the Edinburgh Festival in 1980 where it won the Fringe First prize. There seems to be a very strange blind-spot when it comes to people like Stephen Fry and Jimmy Saville and they seem to be able to do and say things which society and the legal system clearly consider illegal and highly immoral, and often they do it in plain sight, yet they are never brought to justice in their lifetimes because they are protected by the establishment.